83rd Annual Academy Awards

Yes, it’s that time of year once more… Oscar has been spotted. It's time for the battle to be joined anew - Oscar Vs. Chicken!

But first...

Harry Knowles is one of my all-time favorite bloggers. He has been writing about movies even before there were things called, “bloggers”. On his site (aintitcoolnews.com) he is known as, “Head Geek” and that about sums it up. His site is one of the must stop places where both the unwashed and the true believers go to get their finger on the pulse of All Things Geek. Anyway, I tell you this, Gentle Reader, to give you somewhere to go if you desire a full and thorough rundown of all the films that have been nominated this year. You can find that here: http://www.aintitcool.com/node/48221.

Here at Chicken Scratch I’m gonna give you my spin on the down and dirty of the Academy Awards. Now some years are better than others, when speaking of the Academy voters. What should win and what does win are two entirely different animals. When picking winners in the Academy Awards one must think like the Academy thinks… It is in that vein that I humbly submit the following picks.

Best Actor: Jeff Bridges. The Dude will walk away with Oscar for a second consecutive time. Colin Firth or James Franco would be sweet too but with Bridges walks in two worlds; old Hollywood and modern American cinema.

Best Supporting Actor: Geoffrey Rush. He’s simply an amazing actor. Christian Bale is up there on the possibility scale too but 2010 remembers him better for blowing up at lighting guys than acting. I hear “The Fighter” is an amazing film but what’s going to stick out in the Academy’s mind are his tirades and not his talents.

Best Actress: Natalie Portman. Yup, the Academy will recognize her name from other outings although I hear her performance in “Black Swan” is pretty good – Oscar worthy good.

Best Supporting Actress: Helena Bonham Carter. Hailee Steinfeld did a pretty amazing job in “True Grit” but this year is Ms. Carter’s year.

Animated Film: “Toy Story 3”. I loved this film. It’s one of my favorite films released this past year. It pulls you in and just when you think you’ve got away unscathed it will undo your heartstrings all together. Pixar has yet to make a bad film and this is brilliant.

Best Visual Effects: “Iron Man 2”. “Inception” was amazing but watching Tony Stark in action on the big screen as Iron Man is pure, unadulterated eye candy.

Best Adapted Screenplay: Those Coen brothers again. “True Grit” is going to take it.

Best Original Screenplay: “The King’s Speech” will take this.

Art Direction: “Inception”. Christopher Nolan took a break from Gotham City to play in our dreams. Unbelievable that he didn’t get an Oscar nod for Best Director. “Inception” will take the Sound Editing too.

Documentary Feature: “Exit Through the Gift Shop”. The Academy wants to be ‘edgy’ and the act of embracing the artist Banky will let them believe they are.

Best Editing: “127 Hours” will walk away with the Oscar. “Inception”, a film that was not nominated for this category, should have at least been in the running. Oh well.

Best Makeup: Rick Baker will take this posthumously for “The Wolfman”. I really did not like this film for reasons that I have already expressed here at Chicken Scratch in the “Blu-Ray Dossier”; that being said the makeup effects are worth the nomination. Baker was a genius. Bottom line.

Best Original Musical Score: “The Social Network”. Trent Reznor will take it but what is practically highway robbery is the fact that Daft Punk’s soundtrack for “TRON Legacy” was not nominated. This is some of the most original music from the movies that has been heard in a long time. It’s a real shame the Academy was not given their score as a choice. This would have won. It should have won.

Best Cinematography: “True Grit”.

Best Director: The Coen brothers, Joel & Ethan for “True Grit”.

Best Picture: “True Grit”. The Academy has TEN nominations this year for the ‘Best Picture’ category. It’s gonna be “True Grit” although “Inception” (which has been ignored in most other categories) and “Toy Story 3” (which is animated and has no hope of EVER garnishing a ‘Best Picture’ win) is one of the best stories of the year. I’ve heard great things about “The King’s Speech” as well. “True Grit” is going home with the statue.

So there they are, my picks for the 83rd Academy Awards.

So who do you think will win?

We’ll find out together on 2/27/11.

See you then.

Stage VS Screen

I saw a snotty tee shirt once that read, “Film is Art, Theater is Life and TV is Furniture”. In my humble opinion, wearing something like that puts you at the head of the class when it comes to snobbery. Do not pass go – collect your more cultured than thou existence and go straight to… jail.

“Why don’t you like that? It’s witty enough and I’ve read this blog before – you have your own set of snobbish ways too, Evil Chicken!”

Guilty as charged and why that very well may be the case, Gentle Reader, please allow me to say right off the bat I find that tee shirt exclusive, a little myopic and heavily weighted down by a boatload of pride. “Why?” It’s because story is the key. I don’t care what venue it takes. Serve the story. However it manifests itself.

That being said please allow me to share a dilemma with you; I don’t know what format I’m going to write yet for this April’s Script Frenzy – screenplay or play. Now, let me just say, I am comfortable with the screenplay format. Not that I’m a whiz by any stretch of the imagination; no. I just have a working familiarity with that process. I’ve written them before or had a hand in writing them. Now I’ve written puppet plays but I’ve always used the screenplay as my canvas (man, that sounds pompous – I’m sorry). To date I have never written a PLAY in standard format. April’s Script Frenzy may be my chance to change all that.

What to do… what to do?

This may not sound like a big deal but it could spell the difference between victory (100 pages by the end of April) and defeat. Desperate times call for desperate measures. I’ve got to do some research; dust off my old Tennessee Williams and Arthur Miller books/plays. It’s always good to look before you leap. Hey, if worse comes to worse I’ve got my tried and true Screenplay formatting to fall back on… right?

Oh well. I’ll decide sooner or later. One thing that I could stand in April is some company. I hear that “Misery” loves it! No pressure or anything but April is Script Frenzy (http://www.scriptfrenzy.org/) and NOW may be YOUR time to shine.

Think about it.

Script Frenzy 2009

30 days. 100 pages. April. Are you in?

Well, you could be. I make mention of this writing exercise now because I would like you to consider joining me in writing a screenplay in the month of April. I figure now is as good a time as any to make the offer so here it is. Script Frenzy is from the same people who bring us NaNoWriMo every November, the Office of Letters and Light. Submitted for your approval, check out http://www.scriptfrenzy.org/. Poke around long enough and you’ll find the following:

Script Frenzy is an international writing event in which participants attempt the daring feat of writing 100 pages of scripted material in the month of April. As part of a donation-funded nonprofit, Script Frenzy charges no fee to participate; there are also no valuable prizes awarded or "best" scripts singled out. Every writer who completes the goal of 100 pages is victorious and awe-inspiring and will receive a handsome Script Frenzy Winner's Certificate and web icon proclaiming this fact.
Even those who fall short of the word goal will be applauded for making a heroic attempt. Really, you have nothing to lose—except that nagging feeling that there's a script inside you that may never get out.

The 5 Basic Rules of Script Frenzy

1) To be crowned an official Script Frenzy winner, you must write a script (or multiple scripts) of at least 100 total pages and verify this tally on ScriptFrenzy.org.

2) You may write individually or in teams of two. Writer teams will have a 100-page total goal for their co-written script or scripts.

3) Script writing may begin no earlier than 12:00:01 AM on April 1 and must cease no later than 11:59:59 PM on April 30, local time.

4) You may write screenplays, stage plays, TV shows, short films, comic book and graphic novel scripts, adaptations of novels, or any other type of script your heart desires.

5) You must, at some point, have ridiculous amounts of fun.

Of those 5 Basic Rules, number 5 is a must.

“But I’ve never done anything like that. I wouldn’t know where to start.”

Well, you’ve got to start somewhere and worrying is bad for your health. Don’t worry; there is helpful advice on the site for whatever genre that you decide on writing. There is support & instruction, there are screenplay programs to download & use for your script too. Perhaps writing a screenplay is something that you’ve always wanted but you felt that you just didn’t have the time to do it. Well in April your time has come.

“What software, if any, would I use?”

Well that’s a good question and the answers are circular; use what is the best tool for you. I’m not a professional writer but I have played with some of their tools. I’ve used “Screenwriter 2000”, dabbled briefly with “Final Draft”, and wrote a script once with “Celtx”. These days when I want to bring out the guns for a screenplay, script or puppet-script I just fire up my Screenplay Template from Microsoft and I’m off to the races. Since I’m addicted to “WORD” anyway it makes a nice even flow. You can score a copy of that template here: http://office.microsoft.com/en-us/templates/results.aspx?qu=screenplay&sc=4&av=TPL if you so desire. Script Frenzy has several free programs that you could use and discounts on “Final Draft” if you just have to spend money. The choice is up to you. As for yours truly, the Screenplay Template for Microsoft WORD is the weapon of choice.

“I’m still not convinced.”

That’s OK. This is something that I find particularly cathartic; writing. Perhaps you will as well. Yes, now it may seem foreign and be outside of your comfort zone but come April and YOU are writing YOUR script, telling YOUR story the exercise becomes more tangible. You walk into the month of April someone who has ideas and creative possibilities swimming in your head and you walk out of April as a writer who has just completed his/her first draft of a screenplay. You did it. Congratulations writer!

“It can’t be that easy – what’s the catch?”

This will be the third Script Frenzy that I will participate in. The only catches in this process are the internal ones that you will have to answer for yourself, writer. Consider this; you like a good story don’t you? Sure you do. Haven’t you ever found yourself screaming at the TV after watching a goofy show or after renting an expectation crushing DVD from Blockbuster, “That really STUNK! I know I could do better.” Are you sick and tired of the rehashing of tired storytelling in most Hollywood productions? Yeah? Well, do something about it! It’s time to fire back at Hollywood and April is your time to shine.

Script Frenzy, as is the case with all of the writing projects from the Office of Letters and Light, is an exercise in creativity. It’s free, by the way, and they hold non-profit organization status. You can donate if you want but it’s not required. Remember, you are writing the first draft of a script. It’s a FIRST DRAFT so you don’t need to get hung up on if your T’s are crossed or if you transitions in and out are the industry standard. Just write it. Have fun with it. Tell your story. You can do it. I know you can.

30 days. 100 pages. April. GO!

The Writer’s Strike of ‘07

It’s on now. The 4,000 members of the WGA (Writers Guild of America) have voted to go on strike. Why’s that? Well, it’s got a lot to do with as the story by Gary Gentile, Associated Press Business Writer says, “…a bigger slice of DVD profits and revenue from the distribution of films and TV shows over the Internet.” You can read the article yourself here: http://news.yahoo.com/s/ap/20071105/ap_on_bi_ge/hollywood_labor_29;_ylt=Aq744qd6kZtymLr5XbCrFsYE1vAI.

Are they serious? Yes. Check out this letter dated 10/31/07, from the WGA website entitled, “Pencils Down Means Pencils Down”: http://wga.org/subpage_member.aspx?id=2529. Scroll down and see who is on the list. (BTW, I love that whole, “You have our word” ending.)

Writers have always been the red headed stepchildren of the film industry. They are not in front of the camera, they don’t direct or produce and they don’t usually throw tantrums if there are green M&Ms in the craft services bowl. They don’t have trailers on the set. They do not work with models or computer graphics designing special effects that are seen on small and big screens across the world. They don’t operate the cameras, edit film (35mm or digital), work with sound, cast for parts or scout locations either. They have nothing to do with scoring a picture or television series. Yet without the writer NONE of it is possible. Without the spark of creation inside the mind of a writer it all goes south – every last one of the aforementioned jobs simply does not happen. You see, Gentle Reader, it is the writer who first realizes that the story is there; from acres of blank 8.5 X 11 inch paper he (or she – BTW from this point on “he” is synonymous for both he and she) sees it first. In the theater that is his mind he constructs it, nurtures it, chips away at it and watches it develop honing the edge making it real. He hears the sounds around him, feels the textures and sees the colors of this world vividly displayed before him. Soon after he meets the inhabitants who live in there and they begin to talk to him. If he is observant enough and can jot down their words and listen to what they have to say then he can put it onto paper to report his findings to the rest of us here in our world. Now if he can assume the role of imagination’s correspondent and do it with voyeuristic abandon then he just may be a writer; a wordsmith whose job is to serve the story no matter what venue it takes.

Currently the venues in question are Film and TV; both are examples of collaborative story telling. You see once a screenwriter sells his script it is out of his hands and faces the hard, cruel world. I’ve been told this is akin to raising a child who becomes an adult – you raise them so far and then, one day they are on their own. I’ve been told this by people who have actually sold screenplays. What happens to the scripts after they are released into the wild is usually out of the writer’s hands. This has been changing with some directors wanting to have the writer(s) on set for ideas and/or changes but as a general rule of thumb once it is sold it’s gone. There have been amazing screenplays that have been made into horrid atrocities of filmmaking. This is the hazard of collaborative story telling. It’s just the way of things; the scriptwriter’s circle of life.

But I digress.

Late night TV will feel it first, followed by talk shows. Forget topical TV until after the strike is over. What happens with this strike will send ripples through the rest of the industry. The SAG (Screen Actors Guild) is watching closely to see what happens with the WGA for their own negotiations with the producers. They will want at the very least what the writers will get.

Everything is further complicated with how a product is delivered. Emerging technologies have and will always see to that. No one believed that people would be interested in watching color films until “A Visit to the Seaside” (which was made in “Kinemacolor”) premiered in 1908. No one believed that anyone would want to see a film where the actors talked until “The Jazz Singer” was released in 1927. No one believed that a giant ape could climb the Empire State Building with Fay Wray in hand until Willis O’Brien pioneered stop motion animation and made it happen in 1933’s “King Kong”. I could go on but we all get the gist, no? Fast forward to now. No one believed a few years ago that we would be able to plug these little things called “iPods” into a computer via the internet to download TV shows and films. Welcome to now. Titanic corporations are fighting it all out right now for who has the intellectual property rights (Viacom Vs. Youtube). This fight will play into speculative technology – or rather, technologies that are still emerging. Remember how well the recording companies befouled the whole MP3 thing? Well, film companies don’t want to repeat the same mistakes and that puts the film and TV industry is in the crossfire.

I support the writers. I’ve never sold a screenplay but I have two registered with the WGA and a third on the way. It will be interesting to see how this all develops. I’m not the only one who will be watching for the outcome. It might be a good time to rent some DVDs. I recommend the first season of “Heroes” and all seasons of “Battlestar Gallactica” and “4400”; believe me it will be better than all the reruns we are about to be hit with.

“Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead." - Gene Fowler

I’ve been crazy busy…

17,000 words plus on the screenplay, thus far; (see Script Frenzy link to the right). My writing partner has been great and we have slipped into a very natural working relationship. It's a good thing and it’s rocking. But that’s not what I wanted to pass along to you Gentle Reader… No. As it turns out I wanted to drop a tidbit about the “Iron Man” movie that will be coming out next year…

It’s a good one.

Samuel L. Jackson is going to be Nick Fury.

Yeah… more perfect casting there has never been (looking at Ultimate Avengers that is). I am torked for this flick. Then again I’m also stoked for Indiana Jones IV and “Batman – The Dark Knight.” …Have you seen the publicity shots? Entirely too cool.

2008 is looking very good.

All right, I’ve got to get back to typing.

Take care!