Showing posts with label Quentin Tarantino. Show all posts
Showing posts with label Quentin Tarantino. Show all posts

Sunday, February 07, 2010

The Blu-Ray Dossier 5.0


As I write this, Gentle Reader, there is snow on the ground. No that does not really say it right at all please let me try once again… As I writer this there is SNOW on the ground (2 feet plus).

Yeah, that’s better.

Now I ask you, when is a better time for a movie marathon then one is snowed in? That being said, that’s what I’ve been up to (in between shoveling that is). Welcome to the latest edition of The Blu-Ray Dossier. This is the fifth in an ongoing quest to find the best Blu-ray movies and rate them on a 5 star scale for both story and jaw dropping Blu-ray picture quality. That being said here is what I saw…

Kill Bill Volume I: 4.5 Stars / 4 Stars. Who working in the cinema today is making such consistently great movies as Mr. Quentin Tarantino? He is having too much fun. This is a story of a woman, a man and a cabal of assassins and, oh yes, it is about revenge. Uma Thurman is Quentin’s muse for a reason – she is electric as “The Bride”. The dialogue and the storytelling is what sets this apart from other such fare. Who else would put in an anime flashback into the history of an assassin or use brilliantly choreographed over the top cartoon violence during the battle of the Bride vs. the Crazy 88s? This is a love letter to the 70s kung-fu movies from days of yore and I lapped it up.

The Road Warrior: 4.5 Stars / 3.5 Stars. I remember begging my father to take me to see this on the big screen when it first came to the shores of America. I have loved this movie ever since. After the first film, “Mad Max”, Max’s humanity was put on hold. In “The Road Warrior” Max finds his humanity again. This film set the bar for car chases and all things Armageddon related on celluloid, in the world of video games (see Fallout 3) and in popular culture. The Blu-ray was acceptable but it didn’t have the slack jawed beauty that I look for these days. It’s a good transfer – my jaw just didn’t drop.

Kill Bill Volume II: 4.5 Stars / 4 Stars. Did I mention that this is probably one on David Carradine’s finest performances? Did I happen to say that the music in a Tarantino film is simply spot on the money and that it almost becomes a character itself? Did I mention that the Five Point Exploding Heart Technique of Pai Mai’s is very hard to master or that I want a Hattori Hanzō sword? Sorry… I probably forgot. BTW, did I mention that Quentin Tarantino is a genius?

John Carpenter’s The Thing: 4.5 Stars / 4 Stars. This is one of John Carpenter’s finest films and a favorite of mine ever since it came out in 1982. This is one of those rare occasions where the remake is better than the original – and, yes, I loved the original too. The Thing copies DNA. If it were to make its way to civilization humanity is doomed. Trust, isolation and sacrifice are at the core of this film – well that and some of the best special effects that could be mustered in the early eighties. Kurt Russell and John Carpenter were able to capture some amazing things (pardon the pun) on film and their collaborations are some of my all time favorite films. If you have not seen it yet you should give it a try… especially if you happen to be snowed in.

Zombieland: 4.5 Stars / 4 Stars. This is a fun movie – bottom line. It is a zombie movie (although technically they are not zombies) and there is gore but all that gives way to the story, the characterizations and the humor. This is a great cast that includes Woody Harrelson as Tallahassee the zombie survivalist in search of a Twinkie and Jesse Eisenberg as Columbus who provides the narrative of their adventures. Columbus also has a running list of “Rules” that would prove beneficial when the zombie uprising happens in 2012 including; “Number 1: Cardio”, “Number 2: Double Tap” and “Number 32: Enjoy the Little Things”. You will have a good time with this movie.

The Shining: 5 Stars / 4.5 Stars. Although Stephen King does not like this version of his story Stanley Kubrick’s 1980 film is, as the film’s poster says, “A Masterpiece of Modern Horror”. There is a lot going on with this film and it does not answer all the questions that it asks which is a bit of shining brilliance. Is the Overlook Hotel simply haunted or are certain souls destine to return there over and over and over again? What’s going on in room 237 and is Lloyd really that great a bartender? Who or what was Tony – Danny’s protector, another piece of his psyche or something else? The cast really sells this story. Jack Nicholson is at his finest as Jack Torrance, Shelly Duval as his wife Wendy is perfect and Danny Lloyd as Danny performed way beyond his years. This is one of the greats of psychological horror, which is magnified in the Blu-ray format. The trip to the Overlook Hotel never looked so good. Snow plays heavily into the story and I can’t think of a better film to have in your Blu-ray player if you happen to be snowed in for the weekend. “HERE’S JOHNNY!”

So there you have it. That’s what’s been buttering my popcorn lately. What have you been watching and has it been on Blu-ray? I really cannot recommend the format more highly.

Until next time, save my space in line at Blockbuster!

Wednesday, February 03, 2010

The 82nd Academy Awards


Oh you 8.something pound little statue. You little golden idol of, voted by members of the Film Academy, of self-adulation. Oscar… I see you have returned. I knew that you would be back. Here is what you are bringing this year as per Harry Knowles: http://www.aintitcool.com/node/43846. (I got the data for this blog from Harry’s site. I could have gotten it from somewhere else but I didn’t.)

To pick who goes home with the little golden guy one must think like the Academy. That is NOT to say that the best picture in any given category goes home with Oscar; no. It means that one must channel and consider to think how the Academy thinks to truly pick who is gonna win. The last few years I have beat Oscar in the big categories in a blow-by-blow match of fisticuffs. All right, you little 8.something pound golden idol – let’s do this… let’s dance.

Best Picture:

UP
INGLORIOUS BASTERDS
AVATAR
DISTRICT 9
AN EDUCATION
THE HURT LOCKER
PRECIOUS
A SERIOUS MAN
THE BLIND SIDE
UP IN THE AIR

Now, let me just say there are some GREAT films in this category. Seriously. The announcements came in the day before yesterday and for the first time since “Casablanca” was in the theaters there are TEN, yep that’s right, TEN possible entries in the “Best Picture” category. This should open things up for a more, dare I say, fair and balanced campaign and selection. I hope that it works. I should also say that I have not seen all of the pictures in this category. Still, putting oneself into the mindset of the Academy one can make a postulation; who should win vs. who will win. I would love to see “Up” take it. It won’t because the Academy will view it as an “animated film” (which it is also listed as a nominee) and write it off. Meanwhile, “Up” is one of the finest films EVER made about the grief process. Heartfelt and touching, “Up” should win. That being said I’d be happy as a clam if “Inglorious Basterds” or “District 9” or “Avatar” won as well. The Academy will either go with “The Hurt Locker” or “Up In the Air”. …And the winner is… “The Hurt Locker”.

Best Actor:

Jeff Bridges, CRAZY HEART
George Clooney, UP IN THE AIR
Colin Firth, A SINGLE MAN
Morgan Freeman, INVICTUS
Jeremy Renner, THE HURT LOCKER

Good actors, good performances. …And the Oscar goes to… Morgan Freeman for “Invictus”!

Best Supporting Actor:

Matt Damon, INVICTUS
Woody Harrelson, THE MESSENGER (and ZOMBIELAND ahem)
Christopher Plummer, THE LAST STATION
Stanley Tucci, THE LOVELY BONES
Christoph Waltz, INGLOURIOUS BASTERDS

…And the winner is… Christoph Waltz for “Inglorious Basterds”! If Mr. Waltz does not walk away with that little golden icon then there is something completely and utterly wrong with the entire institution; so much so, I dare say, that THIS would be the last blog entry I’ll ever contest between Oscar and myself that I ever document. I feel that strongly.

Best Actress:

Sandra Bullock, THE BLIND SIDE
Helen Mirren, THE LAST STATION
Carey Mulligan, AN EDUCATION
Gabourey Sidibe, PRECIOUS
Meryl Streep, JULIE & JULIA

It’s getting tougher… Streep has her share of Oscar gold and it may be time for the Academy to try to show that they are in touch with the common, ordinary movie attendee. Hmm… And the winner is… Sandra Bullock for “The Blind Side”.

Best Supporting Actress:

Penelope Cruz, NINE
Vera Farmiga, UP IN THE AIR
Maggie Gyllenhaal, CRAZY HEART
Anna Kendrick, UP IN THE AIR
Mo'Nique, PRECIOUS

Tough. My, my, my… let’s see here… And the winner is… Maggie Gyllenhaal for “Crazy Heart”.

Best Director:

AVATAR, James Cameron
THE HURT LOCKER, Kathryn Bigelow
INGLOURIOUS BASTERDS, Quentin Tarantino
PRECIOUS, Lee Daniels
UP IN THE AIR, Jason Reitman

I would love to see Quentin Tarantino walk away with the Oscar for the tour de force that is “Inglourious Basterds”. He won’t. Instead it is going to be between Cameron and Bigelow, which is interesting since the pair of the use to be married. I’m pretty sure these circumstances don’t happen too often – even for Hollywood. …And the winner is… Kathryn Bigelow for “The Hurt Locker”.

Best Visual Effects:

AVATAR, Joe Letteri, Stephen Rosenbaum, Richard Baneham & Andrew R Jones
DISTRICT 9, Dan Kaufman, Peter Muyzers, Robert Habros & Matt Aitken
STAR TREK, Roger Guyett, Russell Earl, Paul Kavanagh & Burt Dalton

…And the winner is… “AVATAR”. If it does not then something is terribly awry in Mudville. This film completely raised the bar for all films to come. Seriously.

Best Writing (Adapted Screenplay):

DISTRICT 9, Neill Blomkamp & Terri Tatchell
AN EDUCATION, Nick Hornby
IN THE LOOP, Jesse Armstrong, Simon Blackwell, Armando Iannucci & Tony Roche
PRECIOUS, Geoffrey Fletcher
UP IN THE AIR, Jason Reitman & Sheldon Turner

I would love to see “District 9” take the honors but they won’t. …And the winner is: “Up in the Air”. It’s just how the Academy thinks.

Best Writing (Original Screenplay):

THE HURT LOCKER, Mark Boal
INGLOURIOUS BASTERDS, Quentin Tarantino
THE MESSENGER, Alessandro Camon & Oren Moverman
A SERIOUS MAN, Joel & Ethan Coen
UP, Screenplay by Bob Peterson, Pete Docter. Story by Pete Docter, Bob Peterson, Tom McCarthy

“Up” is pure brilliance but I would LOVE to see “Inglorious Basterds” win this category. Quentin Tarantino has a knack for writing some of the best dialogue in the business along with some of the finest storytelling around today. It should go to him. It won’t. The Academy will tell themselves that he has already won for “Pulp Fiction” and they will give the Oscar to… “The Hurt Locker”.

So there it is; 9 of my favorite categories. Let’s see who breaks even Oscar or Evil Chicken. If Oscar gets more than yours truly in these categories then he has won. I win if the converse is true. Also, I am dead serious about Christoph Waltz winning the Best Supporting Actor category. If he does not win, quite frankly, then the Oscars are just not worth covering on this blog anymore. His performance is that good.

And that, Gentle Reader, “That’s a BINGO!” (go rent “Inglorious Basterds”).